Review: BLADE RUNNER

It would be great if we could collectively stop talking about a film like Blade Runner 2049 in terms of its box office and look at its various qualities instead. The nearly 3-hour soft-reboot-cum-sequel to Ridley Scott’s canonised 1982 Science Fiction/Noir hybrid may however purposefully dissatisfy audiences, director Denis Villeneuve almost encourages the refusal by […]

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Review: LOGAN LUCKY

Logan Lucky comes at the end of a summer which has underwhelmed at the box office despite providing exciting cinema each week. Steven Soderbergh’s return from retirement, a South Carolina set heist film, has been sold as a return to his Oceans Trilogy days while actually delivering something with a far more measured pace and […]

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Review: VALERIAN

Valerian and the City of a Thousand Planets is an independent French film which has been playing in multiplexes across the globe. And though it may be the John Carter sequel that only a few of us wanted, its failures are noble. There is a complex space opera narrative, the gist of which is well […]

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WILLEM WEDNESDAYS: Week 5-8

How did my life reach this point? Growing up, I never expected to be trapped in a time loop battling against the good, bad and ugly of Willem Dafoe’s career and always asking the same question: What Willem We Watching? Below, notes from weeks 5-8 of Willem Wednesday. I suppose one can never predict their […]

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WILLEM WEDNESDAYS: WEEK 1-4

‘Do you know how much I’ve sacrificed?’ – Norman Osbourne, Spider-Man (2002)   Good lord, something is deeply, deeply wrong. I am plagued by a pox taking the shape of one of our most prolific and enduring character actors: Willem Dafoe. Watching one of his films each Wednesday, on a Willem Wednesday, has become a […]

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Review: SONG TO SONG

In the case of Song to Song, It seems pointless to complain about lack of plot, about drifting faux-poetic voice over and wide, handheld close ups. Each Malick film is a variation on the same style. It’s like criticising Beach House or The Fall because ‘all their songs sound the same’. The formal elements of […]

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Review: BABY DRIVER

Some in the British press have criticised Edgar Wright for leaving behind his nation’s industry for the allure of Hollywood. And though it is lamentable that British cinema has lost one of its few mechanics of innovative, commercial films which enter popular culture and stay there, their loss is surely Hollywood’s gain.

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